
I saw a street musician today playing complex Spanish guitar (Recuerdos de la Alhambra) perfectly . . .?
. . . how can such talent be out on the street? I guess this should be in the “philosophy” category. Not that I’m expecting any big dissertations or anything. He heh.
My point is I actually recognized the piece. I thought that was pretty obvious. My question, however, do we as a society ignore culture and art at our own peril? Geez, do I have to spell everything out?
I wish I could have been there. I’ve seen “raw” talent and wondered why and how they got to that point. Then I wished I could have been in their shoes.
I keep thinking (and hoping) the best is yet to be found like they have before…Willy, Folgerberg, etc., etc….
To answer your question, I guess it takes a special ear and eye to catch the obvious within musicians. It seems obvious to some but to others it isn’t that way.
Please enjoy your gift and talent and try not to become too dismayed.
There are people (like me) out there that truly appreciate and enjoy it so much.
Angel Barrios – Arroyos de la Alhambra (1.Evocacion) – Francesco Teopini – Classical Guitar
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Tarrega’s Most Popular Guitar Solos (Adelita – Lagrima – Danza Mora – Capricho Arabe – Recuerdos de la Alhambra) $7.95 Táraga was born on 21 November 1852, in Villarreal, Castellón, Spain. It is said that Francisco’s father played flamenco and several other music styles on his guitar; when his father was away working as a watchman at the Convent of San Pascual the child would take his father’s guitar and attempt to make the beautiful sounds he had heard. Francisco’s nickname as a child was “Quiquet”.An infection… |
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